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....but........ya. Not that I'm drawing much--I am. I work steady enough to keep my hands active and when I'm not working, I still try to do other things like model-making or...personal projects.
Like the latest pin-up.
PUNCH is a magazine local to me. Published by the folks at Amazing Stories, a Saskatoon comic book/collectible store that I frequent. They came up with the idea to self-publish a fan magazine in recognition of all the local talent.
And I was all for it. Almost 30 years ago now, I was privileged to participate in another venture with another store: The Comicshop on west 4th ave. in Vancouver, and their fan magazine/newsletter- the Comicshopper. Put together by Chris Brayshaw, it was a home-spun attempt to bring fans and "news" together. It featured articles and artwork, even a few comic-strips now and then all done in black and white print. This was several years before mags like Wizard came along---this was almost a fanzine, but more like a newsletter of sorts.
I did about a dozen or more covers, and wrote some articles here and there. Over time, I kept trying to step up my game, doing more and more elaborate work. Pencils, to inks, to zip-a-tone work......it got quite involved. It was self-promotion and it was promotion for the store---all voluntary. There were pay-offs, and some side- benefits. I believe the work I did caught the attention of Todd McFarlane, who contacted me to be his assistant for one summer. The magazine ran for many issues....I believe may have made it up past issue #100, under the guidance of others.
But most importantly, it was a vehicle......not just for myself or the store........but for talented fandom.
And that brings me to this Hanna-Barbera pin-up I've posted here. My first contribution to PUNCH was the Spider-man piece that is also in my gallery here.
Looking at it now......it's dinky......and pretty low-key. I was doing it kind of half-heartedly then, caught up in some lethargic head-space at the time, trying to claw my way out of it.
And I think it showed.
This pin-up was supposed to be printed in issue #2 last summer, but it's now coming out in #3 this spring. I was doing other paying work and had to put this drawing aside.
This past December I had some open time and started to work on it again.
It came together, and in doing so, it opened up something that had been hidden inside me for quite a while.
Like the latest pin-up.
PUNCH is a magazine local to me. Published by the folks at Amazing Stories, a Saskatoon comic book/collectible store that I frequent. They came up with the idea to self-publish a fan magazine in recognition of all the local talent.
And I was all for it. Almost 30 years ago now, I was privileged to participate in another venture with another store: The Comicshop on west 4th ave. in Vancouver, and their fan magazine/newsletter- the Comicshopper. Put together by Chris Brayshaw, it was a home-spun attempt to bring fans and "news" together. It featured articles and artwork, even a few comic-strips now and then all done in black and white print. This was several years before mags like Wizard came along---this was almost a fanzine, but more like a newsletter of sorts.
I did about a dozen or more covers, and wrote some articles here and there. Over time, I kept trying to step up my game, doing more and more elaborate work. Pencils, to inks, to zip-a-tone work......it got quite involved. It was self-promotion and it was promotion for the store---all voluntary. There were pay-offs, and some side- benefits. I believe the work I did caught the attention of Todd McFarlane, who contacted me to be his assistant for one summer. The magazine ran for many issues....I believe may have made it up past issue #100, under the guidance of others.
But most importantly, it was a vehicle......not just for myself or the store........but for talented fandom.
And that brings me to this Hanna-Barbera pin-up I've posted here. My first contribution to PUNCH was the Spider-man piece that is also in my gallery here.
Looking at it now......it's dinky......and pretty low-key. I was doing it kind of half-heartedly then, caught up in some lethargic head-space at the time, trying to claw my way out of it.
And I think it showed.
This pin-up was supposed to be printed in issue #2 last summer, but it's now coming out in #3 this spring. I was doing other paying work and had to put this drawing aside.
This past December I had some open time and started to work on it again.
It came together, and in doing so, it opened up something that had been hidden inside me for quite a while.
See, I don't know where this drawing "came from".
I look at it and I look at that Spider-man drawing and I think....where the hell did I get the ambition to do a drawing this involved??
Just months ago I could barely crank out a single character.......now I've got an image with over 35 or so in it.
I came to the conclusion that it's all about "emotional investment".
These are characters I have been fond of since my childhood, and I know them well enough. I take them seriously, I feel a sense of custodianship towards them. They are the foundation of my love of superheroes, and the source of my "power" as a cartoonist, if you will.
Honouring them is only natural, of course.
I wrestled with the notion as I drew this, that many of the readers of the magazine will have NO CLUE as to who these characters are, even with the title placed on it.
One of my on-line friends, of my age, could identify almost all the characters, but even a couple stymied him.
Fair enough.
But that is not why I was doing this--not so that readers would necessarily "get it". Many of the other talents' subject choices are foreign to me as well, anime or gaming characters...... but that's not the point.
This was.......IS.....a labour of love.
All the effort, all the time.......the sweating of the detail and such, it's all there because I remain a wide-eyed fan. The characters speak to me, they don't have to speak to anyone else......but if they do, that's great.
I didn't draw this for them. I drew this for me.
The other reason for this piece is motivation, but again not for myself. I wanted to attempt something ambitious in a sly bit of psychology. By trying to step-up my own game, I wanted to help attract other talent to contribute to the magazine itself. It's not my magazine, I'm not in charge of it or anything, I'm just a contributor. But I've been down this road before and I've seen where it can take all who participate.
The idea of the magazine is to focus on fandom and their talent....and there's a lot of fans around here, and I believe they have a lot of talent. By doing "good work", the hope it that it attracts others to contribute their good work as well. It's not about showing off or upstaging anyone, it's about sharing a love of something that's been very good to me over the years.
I look at it and I look at that Spider-man drawing and I think....where the hell did I get the ambition to do a drawing this involved??
Just months ago I could barely crank out a single character.......now I've got an image with over 35 or so in it.
I came to the conclusion that it's all about "emotional investment".
These are characters I have been fond of since my childhood, and I know them well enough. I take them seriously, I feel a sense of custodianship towards them. They are the foundation of my love of superheroes, and the source of my "power" as a cartoonist, if you will.
Honouring them is only natural, of course.
I wrestled with the notion as I drew this, that many of the readers of the magazine will have NO CLUE as to who these characters are, even with the title placed on it.
One of my on-line friends, of my age, could identify almost all the characters, but even a couple stymied him.
Fair enough.
But that is not why I was doing this--not so that readers would necessarily "get it". Many of the other talents' subject choices are foreign to me as well, anime or gaming characters...... but that's not the point.
This was.......IS.....a labour of love.
All the effort, all the time.......the sweating of the detail and such, it's all there because I remain a wide-eyed fan. The characters speak to me, they don't have to speak to anyone else......but if they do, that's great.
I didn't draw this for them. I drew this for me.
The other reason for this piece is motivation, but again not for myself. I wanted to attempt something ambitious in a sly bit of psychology. By trying to step-up my own game, I wanted to help attract other talent to contribute to the magazine itself. It's not my magazine, I'm not in charge of it or anything, I'm just a contributor. But I've been down this road before and I've seen where it can take all who participate.
The idea of the magazine is to focus on fandom and their talent....and there's a lot of fans around here, and I believe they have a lot of talent. By doing "good work", the hope it that it attracts others to contribute their good work as well. It's not about showing off or upstaging anyone, it's about sharing a love of something that's been very good to me over the years.
Devious Journal Entry
Posted completed, coloured pages for the Ultimate Power Duo song/story.
What a learning experience. My first attempts at colour ( unseen here) were..................how can I put it?
Horrific.
I had this bizarre notion of attempting some kind of "subdued, mottled water-colour" kind of look. Well, my first stab at THAT was pretty abysmal.
But a couple of colleagues offered me some guidance and put me on a better track and the results are what you see here.
They are serviceable, and I can live with them..........and that's good.
Now to tackle some other stuff for show.
Devious Journal Entry
Three pages posted last night--for the Ultimate Power Duo/Space Joe project. This is for a Saskatchewan band's album--a sci-fi premise comic book to go along with the album. Individuals songs visualized by different artists, in their own styles and sensibilities for a kind of anthology format.
My pages were drawn on Canson Comic Book Art Board 2-ply Bristol, using Pigma Micron pens ( mostly 005), Pentel brush pen and various markers. Black pencil crayon and white-out used for various on-page effects.
I took this on as a exercise to get back into doing more comic book work. My original plan/hope was to complete my pages in about 2-3 weeks..
Devious Journal Entry
I now have a Cintiq--which means that some all-digital drawing will be coming down the pike. Bear in mind that my first efforts will likely be shitty, but......ah, stay tuned.
Gimme a while to get some deadlines cleared up and I'll work some new stuff onto my gallery.
Devious Journal Entry
Went spelunking into my HD archives-not a whole lot there, but I added some found samples of my stuff anyways. Viewers will note a decided GIJOE trend to my images--yeah, I'm a fan of the toys. The comics and cartoons not so much. Most of these are a least a year or so old--some images go back a ways.
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